History - Venite exsultemus (mode 6f solemnis)
Feb 09, 2022 (xmarteo)
One note shape and one note height. The use of (d) or (e) in the score depends on the verse, which is probably a mistake in the source, but it is not obvious which option is "right". Still, I followed the source.
gabc
"(cb4)VE(hgi)NI(i)TE,(ivHGgo~) ex(f)sul(g)t\u00e9(h)mus(h) D\u00f3(h)mi(fg)no,(g) (,) iu(g)bi(g)l\u00e9(g)mus(h) De(h)o,(g) sa(g)lu(f)t\u00e1(g)ri(h) no(h)stro.(h) (;) Pr\u00e6(h)oc(f)cu(gh)p\u00e9(hi)mus(h) f\u00e1(h)ci(h)em(h) e(gh~)ius(g) (,) in(g) con(gg)fes(de)si(g)\u00f3(ggO1)ne,(f) (;) et(f) in(g) psal(h)mis(g) iu(g)bi(h)l\u00e9(g)mus(g) e(gighv)i. <c><i>integrum invitatorium</i></c>(hig/gO1f) (::Z)\r\n\r\nQu\u00f3(hgi)ni(i)am(ivHGgo~) De(f)us(g) ma(h)gnus(h) D\u00f3(h)mi(fg)nus,(g) (,) et(g) rex(gh) ma(h)gnus(g) su(g)per(f) om(g)nes(h) de(h)os:(h) (;) qu\u00f3(h)ni(f)am(gh) non(h) re(h)p\u00e9l(h)let(h) D\u00f3(hi)mi(h)nus(h) ple(h)bem(h) su(gh)am,(g) (;) qui(g)a(g) in(g) ma(g)nu(h) e(h)ius(g) sunt(h) om(g)nes(gg) fi(d)nes(g) ter(g)r\u00e6,(f) (;) et(f) al(f)ti(g)t\u00fa(h)di(g)nes(g) m\u00f3n(h)ti(g)um(g) i(h)pse(g) c\u00f3n(g)spi(gighv)cit. <c><i>altera pars</i></c>(hig/gO1f) (::Z)\r\n\r\n\r\nQu\u00f3(hgi)ni(i)am(ivHGgo~) i(f)ps\u00ed(g)us(h) est(h) ma(fg)re,(g) (,) et(g) i(g)pse(g) fe(g)cit(h) il(h)lud,(g) (,) et(g) \u00e1(h)ri(g)dam(g) fun(g)da(h)v\u00e9(g)runt(f) ma(g)nus(h) e(h)ius.(h) (;) <sc>ve(h)ni(h)te,(f) a(gh)do(h)re(hi)mus,(h) et(h) pro(h)ci(h)da(h)mus(h) an(h)te(h) De(gh)um:</sc>(g) (;) plo(g)r\u00e9(g)mus(g) co(g)ram(h) D\u00f3(h)mi(g)no,(g) qui(h) fe(h)cit(g) nos,(g) (,) qui(g)a(g) i(h)pse(g) est(h) D\u00f3(h)mi(g)nus,(g) De(d)us(g) no(ggO1)ster,(f) (;) nos(f) au(g)tem(h) p\u00f3(h)pu(g)lus(g) e(h)ius,(g) et(g) o(h)ves(g) p\u00e1(h)scu(g)\u00e6(f) e(gighv)ius. <c><i>integrum invitatorium</i></c>(hig/gO1f) (::Z)\r\n\r\n\r\nH\u00f3(hgi)di(i)e,(ivHGgo~) si(f) vo(g)cem(h) e(h)ius(h) au(h)di(h)\u00e9(fg)ri(g)tis:(g) \r\n\u00ab(,) No(g)l\u00ed(h)te(g) ob(g)du(g)r\u00e1(g)re(f) cor(g)da(h) ve(h)stra,(h) (,) si(h)cut(f) in(gh) e(h)xa(h)cer(h)ba(h)ti(h)\u00f3(hi)ne(h) (,) se(h)c\u00fan(h)dum(h) di(gh)em(g) ten(g)ta(g)ti(g)\u00f3(g)nis(h) in(h) de(g)s\u00e9r(h)to:(g) (;) u(h)bi(g) ten(g)ta(g)v\u00e9(h)runt(g) me(gg) pa(e)tres(g) ve(ggO1)stri:(f) (,) pro(f)ba(g)v\u00e9(h)runt(g) et(g) vi(g)d\u00e9(h)runt(g) \u00f3(h)pe(g)ra(f) me(gighv)a. <c><i>altera pars</i></c>(hig/gO1f) (::Z)\r\n\r\n\r\nQua(hgi)dra(i)g\u00edn(i)ta(ivHGgo~) an(f)nis(g) pr\u00f3(h)xi(h)mus(h) fu(fg)i(g) ge(g)ne(g)ra(g)ti(h)\u00f3(h)ni(g) hu(g)ic,(h) (,) et(g) di(h)xi:(g) Sem(h)per(g) hi(f) er(g)rant(h) cor(h)de.(h) (;) I(h)psi(f) ve(gh)ro(h) non(h) co(h)gno(h)v\u00e9(hi)runt(h) vi(h)as(h) me(gh)as:(g) (,) qui(h)bus(g) iu(g)r\u00e1(h)vi(g) in(gg) i(g)ra(d) me(ggO1)a:(f) (;) Si(f) in(f)tro(g)\u00ed(h)bunt(g) in(g) r\u00e9(h)qui(g)em(f) me(gighv)am.\u00bb <c><i>integrum invitatorium</i></c>(hig/gO1f) (::Z)\r\n\r\n\r\nGl\u00f3(hgi)ri(i)a(ivHGgo~) Pa(f)tri,(g) et(h) F\u00ed(h)li(fg)o,(g) (,) et(h) Spi(g)r\u00ed(f)tu(g)i(h) San(h)cto.(h) (,) Si(h)cut(f) e(gh)rat(h) in(h) prin(h)c\u00ed(gh)pi(g)o,(g) et(gg) nunc,(d) et(g) sem(g/gO1)per,(f) (;) et(f) in(g) s\u01fd(h)cu(g)la(g) s\u00e6(g)cu(h)l\u00f3(g)rum.(f) A(gighv)men. <c><i>altera pars denique integrum invitatorium</i></c>(hig/gO1f) (::)\r\n\r\n"