History - Reminiscere
Apr 03, 2025 (Christopher Jaser)
various corrections
gabc
"annotation: Intr\r\nannotation: 4\r\ncommentary:Ps. 25, 11, 12 & 1;\r\n%%\r\n\r\n(c4) RE(d)mi(fd)n\u00ed(ef)sce(e)re(e) *(,) mi(fsssff)se(fd)ra(fe)ti(f)\u00f3(fhg)num(f) (`) tu(fsssff)\u00e1(fde)rum,(e!f!g!hvFE) (,) D\u00f3(e)mi(eg/FE)ne,(e) (:;) et(fsssff) mi(fd)se(fe)ri(f)c\u00f3r(fhg>)di(f)ae(e) tu(egFE)ae,(e) (;,) quae(fsssff) a(fd) s\u00e9(eg)cu(f)lo(gvFC) sunt :(d_//fvEDf) (:) ne(d) un(ff__d~)quam(ff__) do(c)mi(dfe)n\u00e9n(f)tur(dg~) no(fe)bis(e) (,) in(e)i(f)m\u00ed(g)ci(f) no(gf/hg)stri :(g) (:;) l\u00ed(e)be(fg)ra(ghGF) nos(fe__) De(f)us(f) Is(gfg)ra(df!gv_FEf)el(fe__) (;,) ex(f) \u00f3(fd__)mni(d)bus(ds!fsfs_/fddc__) (,) an(ce~)g\u00fa(ec__/d!ewffv)stiis(d!fo!gv)is(g) no(gf__//hvGFgv_FE)stris.(e) (::) <i>Ps.</i> Ad(hg~) te(gh) D\u00f3(h)mi(h)ne(h) le(h)v\u00e1(h)vi(h) \u00e1(hg)ni(gi)mam(i>) me(hi)am :(h.) *(:) De(hg)us(gh) me(h)us(h) in(h) te(h) con(h)f\u00ed(hi)do,(h) (`) non(h) e(hf)ru(gh)b\u00e9(g)scam.(e) (::) Gl\u00f3(hg)ri(gh)a(h) Pa(h)tri.(h) (::) E(h) u(h) o(hf) u(gh) a(g) e.(e/gff) (::)\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n"
remarks
The melodic restitution is according to the Graduale Novum vol. 1. The type-setting, however, follows that of the Liber Gradualis vol 1, which more accurately reflects the Swiss neumes of Einsiedeln 121. Although neither addition prints any episema, I have included a few of the more important ones. I intend to eventually add either the Einsiedeln or Laon nabc.
Square note source: Graduale Novum vol 1 and Liber Gradualis vol 1
Einsiedeln source: codex 121, page 108 (https://e-codices.unifr.ch/en/sbe/0121/108)
Laon source: codex 239, page 45 (https://imslp.org/wiki/Gradual,_F-LA_Ms_239_(Gregorian_Chant))